Dr. Seuss “Oh The Places You’ll Go” Wallhanging

Quilt based on Oh the Places Youll Go by Dr Seuss

Last year I made a quilted wallhanging using a simplified version of one of the last images in my favorite Dr. Seuss Book – “Oh, the Places You’ll Go.” I think the Dr Seuss Quilt is one of my favorite things I’ve made, and now it has a companion in a second Dr Seuss Quilt. I love the quote from the book. I love the whimsy of the image, and I love that it is the first thing I ever free-motion quilted. I decided to make a companion piece this year, using the same techniques, but a different image from the same book. My hope is to make another one next year so that I can have the three hanging side-by-side in the playroom. Here are the two I have so far.

Seuss Wallhangings in Playroom

I used basically the same technique I did last year. I started by drawing out the image, and picking fabrics. I labeled my drawing so that I would know what color each part would be.

draw out and pick colors

Then I created Printable versions of each part, fused them onto the right color fabric, and fused those onto the background. I used the dark orange as a background color, cut it to 18″ square before fusing on all the pieces.

Fuse pieces in place

Then I started stitching. Using the image from the book as a reference, I spent about  4 hours quilting, which adds all the beautiful detail. I love that it doesn’t have to be perfect. In fact, the less perfect, the better! Here it is quilted, but not bound.

quilted and not bound

I did make one change from last year. I painted in the lettering. Last year I took the time to cut out each individual letter, then press it, and stitch it in place. Since I was doing four lines of text this year, and they were going to be smaller, I decided that painting them in was the best choice. It was tedious, but so much better than cutting and stitching!

After quilting, I trimmed everything down, and bound the quilt, adding pockets in the corner so I could easily add a rod for hanging.

If you’re interested in making your own, here is what you’ll need:
OH THE PLACES YOU’LL GO QUILT
(finished size 21″x26″)

Fat Quarter Dark Orange fabric, cut to 18″ square.
1/2 yard green fabric (for borders – cut two pieces each 2″x18″ and two pieces 4.5″x21″)
1 1/2 yards black fabric (binding, backing)
Black thread
Small pieces (I used Fat Quarters) of the following colors: Orange, Light Orange, Light Yellow, Medium Yellow, Green, Light Gray (for the child’s hands and face)
Applique pattern pieces printed onto Jenny Haskins Web Magic (printable fusable for applique) – found at quilt shops that cater to machine embroidery
Basting Spray
Batting
Mechanical Pencil

Here are the pattern pieces:
Green 1 Fusible
Green 2 Fusible
Medium Yellow Fusible
Orange 1 Fusible
Orange 2 Fusible
Seuss Light Yellow Fusible

Even in my messy playroom, I love the way these look on my wall!

messy playroom

Please note: These instructions are for personal use only. The pattern and quilt are not for sale. The pattern is intended for personal use only. If you’re interested in purchasing Dr Seuss fabric, Robert Kaufman has awesome Seuss Fabrics.

Nancy Zieman “Seems Unlikely” Book Tour

When I was asked to be a part of Nancy Zieman’s “Seems Unlikely” book tour, I immediately said yes. I’m a fairly new member to the Nancy Zieman Fanclub. My mother is a garment sewer, but I have always taken more to quilting. I made several garments including dresses for school dances, an 80’s shorts-and-top set in unfortunate matching fluorescent patterns, but the garment sewing classes I took back in 1996-97 were in Europe. So I missed out being introduced to Nancy and her expertise.

Though I’m new to the club, I’m not a token member. Nancy truly won my everlasting sewing love with her Create a Strap (I did a review that is best defined as a “love note” over at Craft Test Dummies). I’ve had a chance to play with her laser cut fusible appliques as well as her trace and create tablet keeper. I was able to “meet” her during a closed-circut session at Riley Blake Fabric Fest this last fall. Each one of these times I’ve had the chance to connect with her through product or experience, I’ve walked away an even larger fan.

SeamsUnlikelyBookCover

So, enter the chance to read Nancy Zieman’s Biography, and I was all in. At about 300 pages, it is told as if you’re sitting down to coffee with Nancy. As if she’s telling you the story of where she was born, how Bell’s Palsy and multiple knee surgeries affected her confidence, and how 4H played a significant role in finding her joy.

As I’ve been reading Nancy’s book, I have found myself relating to so many of the stories. I didn’t grow up on a farm or have a smile that was higher on one side. But those are characteristics of Nancy’s life – not elements of her character.

While writing this post, I’ve put a bandaid on one child’s elbow, fixed a Lego car, and had a 20-month-old crawl over me, needing some extra snuggles. Trying to manage a career from home while raising boys and managing a household isn’t easy. But as Nancy showed, it isn’t impossible. Through the support of her husband, and the help of family, she turned her single-page flier into a booming catalog (and now online) business. Her traditional farm upbringing gave her a work ethic that helped her plow forward through adversity.

Today, women-owned businesses aren’t rare. And gals like me working out of our homes at laptops while children play not-so-quietly may not be “normal”, but it isn’t the struggle it was when Nancy began.

I’m loving reading this book. I’m inspired by Nancy’s journey. She didn’t let small spaces or small minds keep her from being successful. I wish I could tell you that I’ve read it cover-to cover already, but other commitments have kept me from getting much further than halfway. But I’m really looking forward to the second half. If you don’t already have this book on your nightstand, make sure you pick up a copy. The first half alone is enough to get you writing lists of your dreams, re-naming them goals, and start making them happen.

Thanks, Nancy, for sending me your book. I’m truly loving it. I’m sure you have many more years of amazing adventures in front of you… I’m already wondering when you’ll be publishing the next installment.

My post is part of Nancy’s Book Tour. You can comment on Nancy’s Post if you’d like a chance to win one of 20 copies that are being given away. If you’d like to read what some others have to say about Nancy’s amazing journey, check out these other stops on the tour:

February 4          Nancy Zieman          

February 5          Eileen Roche

February 5          Pat Sloan

February 6          Melissa Stramel

February 6          The Long Ladies

February 6          Tori Thompson

February 7          Amy Barickman

February 7          Melissa Mora

February 8          Shari Butler

February 8          Vicki Christensen

February 9          Carolina Moore    (you’re here now!)

February 9          Kate Mclvor

February 10          Amy Ellis

February 10          Melissa Mortenson

February 11          Ilene Miller

February 11          Liz Hicks

February 11          Rachael Pannepacker

February 12          Bill Gardner

February 12          Elizabeth Evans

February 13          Amy Webb

February 13          Lindsay Wilkes

February 14          Gertie Hirsch

February 14          Veronica Philips

February 15          Jenny Gabriel

February 15          Laura Wasilowski

February 16          Frieda Anderson

February 16          Rita Farro

February 17          Cindy Cloward

February 17          Joan Hawley

February 17          Patty Young

February 18          Nancy Zieman

 

Pieced Heart Pillow

Pieced heart pillow tutorial

I love decorating for Valentine’s Day. After taking down the Christmas decor, the house feels a little stark. It feels good for a little while – everything has been cleaned up and put away. But after a couple weeks I start to get antsy for some cheery colors and fun decor. Which makes these Valentine’s Day pillows perfect.

I actually made three different kinds of pillows. I’ll be sharing the others with you later in February.

pillows for Valentine's Day

To make the pieced heart pillow fronts, you need (enough for both pillows):
6 fat quarters of patterned fabric (my fabrics are all from “Scrumptious” by Bonnie and Camille for Moda)
1 fat quarter of background fabric (I used Kona Snow)

If you want to finish the pillows you need 1.5 yards backing fabric (that’s enough for both pillows), and about 4″ of velcro. You’ll also need a 20×20″ pillow form for each pillow.

I started by cutting my fabric. For each pillow you need:
From the patterned fabric:
70 – 2″ squares (assorted)
4 – 3″ squares of the same fabric (for cornerstones)

From the background fabric:
4 – 2 x 2″ squares
4 – 3.5 x 2″ strips
3 – 5 x 2″ strips
2 – 6.5 x 2″ strips
2 – 8 x 2″ strips

Lay out all the pieces. I like to lay them out on a piece of batting. The batting helps keep them in place a little bit, so a toddler running by is less likely to destroy my work. I put the pieces in a random order to get a very scrappy look.

lay out pieces

R1: 3.5″ background, 2 squares, 5″ background, 2 squares, 3.5″ background
R2: background square, 4 squares, background square, 4 squares, background square
R3: 11 squares
R4: 11 squares
R5: 11 squares
R6: background square, 9 squares, background square
R7: 3.5″ background, 7 squares, 3.5″ background
R8: 5″ background, 5 squares, 5″ background
R9: 6.5″ background, 3 squares, 6.5″ background
R10: 8″ background, 1 squares, 8″ background

I like to strip piece, so to mark my rows as I’m piecing, I use different colored pins.

mark rows when piecing

Here are all the rows pieced:

pieced into rows

I press the seams in alternate directions on the back. One row to the left, the next to the right, the next to the left… this reduces the bulk and also makes the points match up easier.

iron seams different ways

To finish the top, I measured the top and bottom, took the average of the two, and cut 3″ wide border pieces this length. I then measured the sides, took the average, cut 3″ wide border pieces this length. I added the 3″ squares to the side pieces, added the top and bottom borders, pressed, and then added the side borders. Top complete.

pieced pillow front

Quilting the pillow gives it more depth, and helps keep all that stitching in place. I layered a piece of muslin, batting, and my pillow top, and spray basted (we can have the discussion of pin basting vs. thread basting vs spray basting, but spray basting is just so much faster, so I often go with just spray basting things).

layer to quilt

You can quilt your pillow however you like. I did stitch-in-the-ditch around the border, and around the heart. Then I did a cross-hatch in the heart.

pieced heart pillows

To finish the back of the pillow, I measured my finished pillow, and cut 2 backing pieces. Each piece was the height of the pillow by 1/2 the width + 4″.

I folded the long end over 1″, then folded it over again and pressed. I selected a fun decorative stitch (no particular reason… just why not?), and stitched it down. I did the same with the other side. I added velcro to the center of each. Then I connected them using the velcro, put the whole thing right-sides-together with my pillow top, stitched all the way around, clipped, and turned right side out. There are lots of ways you can finish a pillow. This is called the “envelope” method, and I find it is one of the easiest.

back of pillow

I do like adding about 2″ of velcro to the center. Otherwise the middle tends to balloon out. Much prettier with everything all tucked in.

velcro closure

A New Way to Clip Your Corners

Clipping corners using the seagull method

For years, I’ve been bothered by clipping my corners when making projects. Making bags, pillows, whatever, the instructions call for clipping the corners before turning.

The reason you clip the corners is to reduce bulk. If you don’t trim away the extra seam allowance before  turning, you’ll end up with a lot of bulk in the corners, which makes for unattractive corners.

However, when you clip right across the corner, you weaken the seam. After all, part of the job of the seam allowance is to lend support to the seam so that your stitches don’t pull right through the fabric. And cutting away all that seam allowance (leaving just a thread or two to carry the load) has never sat well with me. Especially since the corners of pillows and bags tend to take a beating – so that’s exactly where you would want strength.

I don’t want to start advocating that everyone stop clipping their corners, resulting in a bunch of bulky, unattractive edges. That isn’t a great solution either. So, I’ve come up with a new way to clip corners, I call it “The Seagull Method”. Pretty arrogant, right? Stitchers have been clipping corners the same way for centuries, and here I come along with a new-fangled way to clip. Well, read on, and feel free to tell me in the comments if you think this is stitching genius or sewing blasphemy.

So (or should I say “sew”…), the Seagull Method. Why call it that? Because instead of cutting off triangles, the pieces clipped off the corners look like little seagulls. You know, the little v-shaps seagulls look like when they’re flying way up high? Which is a great way to remember exactly what the method is.

To demonstrate, I stitched a plastic bag to two pieces of fabric, and clipped the corners.

clipped corner in two different ways

On the left is the traditional way of clipping a corner. At an angle all the way across.

On the right is the Seagull Method. I start about an inch from the corner and taper in, getting about 3-4 threads away from the corner, and then do the same on the other side. Clipping off a little seagull-shaped bit. This takes away more bulk, and spreads the removal over a larger area, keeping as much strength as possible in the seam.

But the real magic comes when the seams are turned.

clipped corner - traditional method

When we turn a traditionally clipped seam, we see this on the inside. The two cut edges but up against each other, and the corner lies flat thanks to the removal of the bulk.

Here is what a corner clipped using the seagull method looks like:

A clipped corner using the seagull method

The bulk is removed in the entire corner, making it very easy to insert a corner-turning tool to poke the corner out. There is a small increase in the bulk right in the corner (since we left 3-4 threads instead of only one), but the entire corner has been strengthened.

This corner-trimming method works on all kinds of projects, helping to reduce the bulk without completely weakening the seam. In any case where I don’t plan to top-stitch along the corner, I think the Seagull Method results in a stronger seam. However, if I plan to topstitch along the corner, as you can see from the images, the traditional method leaves more fabric in the corner seam. This additional fabric will help to strengthen the corner when it is topstitched, making traditional clipping better.

two different clipped corners

What are your thoughts? Will you be clipping corners differently from now on? Or will it at least cross your mind every time you pick up your scissors and get ready to weaken a seam?

My Birdie Sling Bag {Friday Finishes}

Over the weekend, I was at my local quilt shop, and was inspired. Which is one of the great things about quilt shops, isn’t it? I have been doing some bag making lately, but wanted a bag that was a little larger. The Birdie Sling Tote Bagby Amy Butler looked great. Fairly simple to make, 3 fabrics, and nothing super tricky about it. Plus, it was nice and big… perfect for this weekend’s trip to CHA.

I made my bag using Riley Blake fabric for the outside and handle, and a fun Kate Spain print on the inside.

Birdie Sling Bag

I followed the pattern and instructions exactly, with one exception. I used Soft and Stable for my lining instead of fusible fleece. I had the Soft and Stable on hand already, and wanted to save a few pennies… well, as many pennies as you can save when you’re already buying a pattern, over 3 yards of fabric, and 3 yards of interfacing. Bag making isn’t cheap. I guess that’s why I don’t make very many.

My Birdie Sling Bag

I’m looking forward to carrying around my bag this weekend… and moving forward. Such a fun bag!

DIY Hoodie with Rapture from Art Gallery Fabrics

Rapture Zippered Hoodie

I was one of the lucky bloggers who was sent a fat quarter bundle of Pat Bravo’s newest line, Rapture. This is such a fun line, and everyone I know who has seen it has fallen for the fabrics in it. I love that it has a great variety of larger prints and smaller prints, making it a great choice for almost any project. Which is where I ran into a problem…. what to make? Of course I could put together a quilt using Rapture, but while I wanted to be able to wrap myself up in the fabric, I wasn’t up for making another quilt in 2013. So I found a great compromise – a zippered DIY hoodie using Rapture from AGF. I spend most of the winter in jeans and a hoodie, so this way I can wrap myself in the fabrics all day long – and still get my errands done!

My inspiration came from the appliqued sweaters quilters of the ’80s and ’90s made… but an updated version. I wanted my DIY hoodie to be a modern take on those sweaters.

If you want to make your own quilted hoodie, here is what you need:

Fabric (I used FQs of Rapture by Art Gallery)
Zippered Hoodie
Freezer Paper
Fusible Fleece
Pen
Basic Sewing tools, such as a Seam Ripper, Pins, Iron, Sewing Machine

I started by prepping the sweater. This meant using a seam ripper and scissors to carefully remove the front pockets. Then I ironed a large sheet of freezer paper to one of the front panels of the sweater, then used a pen to mark the outline, making a template. I turned the hood wrong-side-out, and made a template of the hood shape as well.

I prepped the fabric by selecting the fat quarters I wanted to use. I cut a variety of different sized strips, including a wide strip of one of the larger patterns. I stitched the strips together to make what looked like a striped piece of fabric.

I ironed the templates onto the fabric. The large front panel was ironed onto the right side of the pieced fabric, and the hood was ironed onto the wrong side of my chosen fabric.

patterns made for quilting hoodie

I trimmed around the outside of each piece, adding a seam allowance as I cut.

I stitched the hood on first. I cut two of the hood pieces, one in reverse of the other. I put the two pieces right sides together, and stitched around the curve (the back seam of the hood), then pulled off the freezer paper. Then I cut the curve and pressed the seam open.

stitch and clip curves

I pinned the hood piece to the inside of the hood.

Pin fabric in the hoodie lining

All the raw edges were turned over and pinned under.

I stitched the fabric on all the way around, then stitched down the center seam (through the sweater and fabric), to make sure the hood would stay in place even after washing.

stitched hoodie lining

On to the body piece! I put it on the sweater, and using my fingernail put a slight crease along the seam lines. I was then able to take the piece to the ironing board, and easily press the raw edges over.

mark edge with fingernail

I pinned the piece in place all the way around.

Pin panel in place

After stitching the body piece in place all the way around, I quilted it down. I did a “stitch in the ditch” on each seam, stitching down each seam where two fabrics meet. On the large strip, I stitched around the motif to secure the large piece in place.

panel stitched in place

top stitch in place

Next was the pockets. I put the pockets I had taken off in place, to gauge the size. I knew I wanted to add larger pockets, so I cut rectangles the size I wanted the pockets. I then cut a second set of rectangles for the inside of the pockets. Using a pen, I drew a curve for the pocket opening, and trimmed the fabric along this curve.

check pocket placement

Two layers of woven cotton don’t provide a whole lot of warmth on a windy day, so I put a layer of fusible fleece on the lining piece of each pocket.

To make the pockets, I put the outside and inside pocket pieces right sides together, then stitched all the way around, leaving a hole for turning. I clipped the corners to reduce bulk.

stitch around pocket and trim corners

After turning, I added two lines of topstitching around the curve to give it a finished look. I also quilted down around the flowers, just like I did on the body of the sweater.

top stitch pocket

I pinned each pocket in place, then topstitched them down, making sure to go back and forth at the beginning and end to secure the stitches.

Rapture Fabric on a Zippered Hoodie

For fun, I trimmed off a piece of the selvedge from the fabric, and top stitched it onto the label.

selvedge on the tag

Once it was done, I ran it through the wash. The washer and dryer softened the fusible fleece so that the pockets were perfect instead of stiff, and the fabric washed beautifully.

My friend Gina from Mom’s Lifeboat was over, so she took some photos of me in my new sweater.

Zippered Hoodie with Rapture Fabric

We also discovered that I have no future as a fashion model. I can’t say that I’m that broken up over it.

I have no future as a model

Zippered Rapture Hoodie

We did manage a few decent photos.

Sweater with Rapture Fabric

I’ve already worn my new DIY hoodie out and about, and gotten tons of compliments on it! I think this is a great way to have some fun with beautiful lines of fabric – ones that are worth living in.

Signature Baby Quilt

This little baby quilt is long overdue, in a number of ways. The blocks for this quilt were made at the orange and monster truck baby shower. I finally stitched them together and quilted it up about 3 or 4 months ago to give to baby D… but then it didn’t make it to their house. It was going to make it to D this weekend (for his first birthday), but he got sick… so it didn’t happen!

The blocks are “signature blocks”. All the kids at the shower were given fabric crayons and asked to draw on the blocks. Some of the kids drew a lot, and pressed hard with the crayons. Some didn’t draw much at all, and drew very lightly. Most of the kiddos were under the age of 5, which makes for some really fun artwork!

I stitched the whole thing together with orange sashing. There were only 8 blocks, so I decided to leave the center plain, and wrap the blocks all the way around. Another option would be a fun focus fabric in the center.

I just used a plain solid orange fabric for the sashing and borders.

orange signature baby quilt

I quilted it with orange cuddle on the back (to make it extra snuggly). I folded it up and tied some tulle around it. Because a quilt doesn’t really need any extra wrapping – does it?

wrapped up baby quilt

Baby D… one day your blankie will come! I promise!!

Sunshine Quilt

This post has been about a month in the making… and really the story isn’t finished yet, but I don’t want to wait any longer to share it. I got to check something major off my bucket list in October. Quilters, prepare to be jealous…

I had a quilt hang at market.

Diamonds Quilt at Marketpicture courtesy of Art Gallery Fabrics

Yup. No joke. I made that quilt hanging right there.

For anyone who has “get a quilt at Market” on their bucket list, I can tell you that for me the process was a little bit of luck and whole lot of work… with a dash of insanity thrown in.

After making the Roots and Wings Quilt, I had a bit of a “lull” in my schedule. And by “lull” I mean no major trips out of town or massive projects due. Just my steady stream of crafting and watching the kids with Halloween costumes and Christmas projects needing to get done. So I asked the folks at Art Gallery Fabrics if they needed anything done for market. They needed a quilt and a pillow, and we were off and running.

I’m not going to say that there was a major snafu with the postal service that delayed the fabric getting to me for over a week, or that I had to take a trip out of town for about 24 hours right smack dab in the middle of making the quilt. But I will say that getting to work on a project like this is better than getting a full night’s sleep. Well, I’m pretty sure. I haven’t actually gotten a full night’s sleep since 2007, and I really don’t remember it being that special.

Anyway, I got her finished, and I love her. Here is the front.

AGF Quilt Front

I cut, placed, and pieced each diamond. There are all kinds of crazy bias edges in this quilt. I had learned about glue basting the week before starting it, and that is probably what kept me sane… and made my points line up. Oh – and I quilted and hand-bound it as well.

I love adding some personality to my backs, and a variation on a stacked-coin back is my favorite way to go. I mixed it up a little this time by using the selvedges. This took a little planning – I actually cut all the selvedges from the fabric before cutting the diamonds, and set them aside to use in the backing.

AGF Quilt Back

After finishing the quilt, I still had a little steam, and a little time, to make the pouf pillow. Here it is unstuffed.

AGF Pouf

The circles are all done with reverse-applique and I inserted a big zipper around the bottom to make it easy to fill. Zippers and I usually get along, but after gettting that zipper into a curved seam… zippers and I weren’t on speaking terms for a little while.

And although you can’t see my pouf in this post (she is there though, just hiding!), here is a photo of the whole booth…

Art Gallery Fabrics Booth

picture courtesy of Art Gallery Fabrics

Why isn’t this story finished? Well… I have the blocks of a second quilt, using the scraps from this quilt, up on my design wall right now. I just need to find some hours to spend sewing, and then maybe I can show you another golden beauty…

 

ps… if you want to see more of the great Art Gallery Fabrics booth, you can read about it in their Market Wrap-Up Post.

Five Year Finish

witch quilt by buggy barn

This quilt is finally finished. It only took 5 years.

There is nothing overly complex about this quilt that made it take so long. I took a class at Quiltique when I was on maternity leave after having my oldest, who is now 5. I finished the blocks within a few days of taking the class.

A few years later, I put the blocks together and finished the quilt top. I had a friend quilt it.

A year or so after that, I made the binding.

This year, I stitched on the binding. Finally. It took 5 years, but this quilt is finished.

I have quite a few more UFOs (Un-Finished Objects) hanging in the closet that need piecing, quilting, and/or binding… I’m hoping to start working my way through them, instead of adding to them. I have already trimmed 3 quilts that need binding, and cut out their binding. I’m taking baby steps, but at least they are in the right direction.

Do you have any UFOs that you want to get caught up on?

PS – If you are interested, the quilt pattern for the quilt pictured above is from Buggy Barn. It is a fun stack-and-chop technique for making a quilt block.

Sweet Tea Picnic Made Easy (and Nine-Patch Napkins)

Sweet Tea Picnic

Recently, I was invited by Davidson’s Organics and Missouri Star Quilt Company to create a picnic. I couldn’t refuse. I’ve become something of a homebody, and anything to get me out of the house is a good thing! Plus, my son loves picnics. I kept this picnic simple, easy, and most of all, fun. They sent me sweet tea and fat-eighths of fabric to play with, in exchange for sharing my experience with all of you.

I packed up a picnic basket so that my son and I could spend the afternoon at the park.

pack up the picnic basket

I kept it simple. Mason jars with ice tea spoons, some snacks, honey for sweetening up my tea, my nine-patch napkins (more on those in a bit), and a juice box… because most 5 year olds aren’t big tea drinkers. Oh… and those big mason jars? Those are my secret weapon for packing an easy picnic.

One large mason jar is filled with ice. The other is filled with hot water and tea. The tea takes 5-7 minutes to brew. Which is about how long it takes to walk to the park from my house. So, while the water is boiling, I pack up the rest of the basket. Once the water is hot, I pour it into the mason jar, add my tea bags, pop on the lid, wrap a towel around the jar, and off we head to the park!

brew sweet tea on the go

By the time we get there, my tea is brewed, and I can pour the ice and tea into the smaller mason jars for drinking! Super easy. And while I sip my tea, my kiddo can do lots of this:

slide at the park

This made for a perfect fall afternoon with my kiddo. He’s growing up so fast!

With the fat eighths of fabric sent to me as part of my picnic package, I whipped up some nine-patch napkins. These are easy to make. Not quite as easy as the tea… but pretty simple.

I started with my fabric and 4 linen/cotton napkins.

nine patch napkin supplies

I cut the fabric into strips, 2.5″ wide, then stitched the strips into sets of 3. I pressed the seams so that half of the sets had the seams facing out, and half had the seams facing in.

two sets of strips

Then I sub-cut these into 2.5″ strips.

cut strip sets

I piled up the sets. The row on the right has the seams pointing out, and the row on the left has the seams pointing in.

I paired up strip sets to make four pairs, each using one strip from the right row, and one from the left row. Because the seams were pressed in opposite directions, they nest into each other perfectly, making for perfect intersections where the seams all meet.

I then added another strip to one side of each pair, making nine-patches.

pink the edges

Instead of leaving the edges raw, or trying to turn them under, I used pinking shears to trim the edges. This will keep them from fraying, and I really like the look of a pinked edge.

I pinned each square to one corner of a napkin.

pin squares in place

Then I stitched each square in place.

stitch down nine patch

It was that easy! We’ve got this picnic basket as a wedding gift, and until now I’ve always used paper napkins. I’m so glad I now have a set of nice picnic napkins to go in my picnic basket!

quilted napkins

Thanks again to Davidson’s Organics and Missouri Star Quilt Company for letting me join in on the fun!